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'Nope' review: Jordan Peele's originality gets abducted in his latest horror movie
By Soren Andersen
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Nope, review: It's Jaws for the open skies – and Daniel Kaluuya gives the performance of the summer
By Robbie Collin
'Nope': How They Shot Those Spectacular Night Scenes
By Bill Desowitz
‘Nope’ Debuts To $44 Million, The Best For An Original Film Since Jordan Peele’s ‘Us’ In 2019
By Sam Mendelsohn
Jordan Peele's Nope, explained
By Alissa Wilkinson
Inside the Eerie UFO Design for Jordan Peele's 'Nope'
By Emma Stefansky
Nope Review | Empire Online
By Kambole Campbell
Jordan Peele’s ‘Nope’ Opens To $44M, As Original IP Breaks Through At Box Office – Sunday Update
By Anthony D'alessandro
'Nope' spoiler-free review: Jordan Peele returns to rain down terror with scorching sci-fi horror
By Kristy Puchko
Nope Explained: Breaking Down Meaning of Jordan Peele Film | TIME
By Laura Zornosa & Andrew Chow
Jordan Peele's 'Nope,' reviewed
By Aisha Harris
Nope review: New Jordan Peele movie is subversive sci-fi update
By Leah Greenblatt
'Nope' Rightly Challenges Our Love of Spectacle
By Jason Parham
'Nope' review: Jordan Peele puts his unforgettable stamp on sci-fi
By Johnny Oleksinski
Jordan Peele's Nope is a breathtaking celebration of filmmaking as an art form
By Charles Pulliam-Moore
Nope Review
By Siddhant Adlakha
Nope movie review & film summary (2022)
By Odie Henderson
Nope movie: Jordan Peele's follow-up to Us and Get Out will be his most polarizing yet.
By Dana Stevens
'Nope' is Jordan Peele's latest No. 1 film at the box office
By Frank Pallotta
Nope Review: A Glorious Spectacle Packed With Too Many Ideas | TIME
By Stephanie Zacharek
‘Nope’ Review: Jordan Peele’s UFO Drama Has a Mood of Exciting Unease but an Arbitrary Story
By Owen Gleiberman
Box Office: Jordan Peele’s ‘Nope’ Scares Up $44M Opening
By Pamela McClintock
'Nope' Review: Jordan Peele Invades the Western
By Austin Collins
'Nope' Review: Jordan Peele's Wildly Entertaining Blockbuster Is the Best Kind of Hollywood Spectacle
By David Ehrlich
'Nope': What Was Shot in IMAX?
By Bill Desowitz