The Carmel Bach Festival pays homage to three historic compositions crafted during a time of political and personal upheaval.
By Agata Popeda
Sunday Baroque: Put on your dancing shoes
By Suzanne Bona
In 2025's Love & Power, the Boston Early Music Festival Unearths Another Baroque Rarity
By Christopher Corwin
'BaroQUEER: Historically Informed' explores the diverse, queer history of Baroque music – The Bay State Banner
By Celina Colby
Vestiges of an era: Present Music's “Baroque Pop!” melds the classical with the contemporary
By Annie Raab
Five Cities Baroque Foundation & Festival brings Baroque music to Central Illinois
By Beatrice Bonner
LEBRECHT LISTENS | Violinist Rachel Podger And Brecon Baroque Reveal The Fun In Just Biber
By Norman Lebrecht
Seraphic Fire wraps season with rare music and a Vivaldi masterwork
By Lawrence Budmen
Baroque music evening leaves audience in awe [PHOTOS]
By Laman Ismayilova
Arcangelo Corelli’s “Christmas Concerto”
By Michael De Sapio
This weekend, Latin American Baroque meets modern at choral ensemble Border CrosSing's Christmastime shows
By Jared Kaufman
Arts Notes: More outdoor concerts, baroque music and more coming up this month in the Historic Triangle
By John Shulson
Mexican singer Jaramar Soto’s intense passion for rescuing the voices of women in baroque music
By Carlos S. Maldonado
Listen tonight: Jean-Pierre Rampal champions Baroque music
By Julie Freddino
Baroque Water Music
By James Jacobs
Boston Baroque Music Director to Step Down
By Francisco Salazar
Musical Improvisation in the Baroque Era Fulvia Morabito, ed. Turnhout: Brepols, 2019 pp. xvi + 405, ISBN 978 2 503 58369 3 | Eighteenth-Century Music | Cambridge Core
By Cristina Fernandes
20th Biennial International Conference on Baroque Music
By Alan Maddox & Paul Newton-jackson
OAE puts the rock in baroque at Library of Congress
By Charles T. Downey
Festival of Female Composers: Women of the Baroque
By Martin Buzacott