Washington Classical Review » Blog Archive » Heyward wraps Baltimore Symphony season with “Aida” to launch Verdi project
By Charles T. Downey
Teatro Liricio di Cagliari Announces Cast Change for ‘Aida’
By Francisco Salazar
Grand Opera’s Tribulations | Joseph Horowitz
By Joseph Horowitz
Deutsche Oper Berlin Announces Cast Change for ‘Aida’
By Francisco Salazar
Blue returns for final season run of Met’s “Aida”
By George Grella Jr.
A reimagined AIDA comes to Artscape
By Richard Holmes
Aleksandra Kurzak to Perform ‘Aida’ at Opera Krakowska
By Francisco Salazar
Angel Blue Doubted Her Path in Opera. Now She’s a Star.
By Javier C. Hernandez
Aida review – parades and totalitarianism rather than pyramids and triumphal marches
By Flora Willson
An epic tale of forbidden love, loyalty, and betrayal to be told in the STC's production of Aida
By Beatrice Bonner
The Met’s New Aida Visits the Other Met
By Sarah Larson
Laquita Mitchell Headlines Dayton Opera’s ‘Aida’
By David Salazar
Local group enjoys Met operas at Celebration Cinema
By Sue Knickerbocker
An ‘Aida’ That Tries to Apologize for Itself
By Justin Davidson
Metropolitan Opera Announces Another Cast Change for ‘Aida’
By Francisco Salazar
Aida, The Pirates of Penzance, and More: What's Happening in Classic Arts This Week
By Natan Zamansky
‘Aida’ Returns to the Met Opera Through Archaeologists’ Eyes
By Javier C. Hernandez
Watch Opéra de Rouen’s New ‘Aida’ with Joyce El-Khoury & Adam Smith
By Francisco Salazar
Fine singers carry BLO’s concert “Aida” over rough edges
By Jonathan Blumhofer
Aida and company sing in a world of African futurism
By Brooks Spector